Monday, February 7, 2011

Jean-Michel Basquiat @ the Musee D'art Moderne De La Ville De Paris (closed)


This may be a bit of a tease, since the show has been closed for a week now, but hopefully some of you were lucky enough to catch the Basquiat show in Paris. C'était fantastique!

For those of you less familiar, Basquiat was a Brooklyn-born, boho-raised grafitti/street-artist/noise-musician/lady-killer who later went on to show at the Gagosian empire (Los Angeles, to be exact), be the first African-American to be shown at the Whitney Biennial, and become best friends with none other than Andy Warhol himself. He was also good friends with Kieth Haring, artist/director Julian Schnabel, and even had an affair with Madonna at one point. He was fluent in Spanish, French, Creole as well as English, and had a knack for re-interpreting all of his earlier influences (which included art history, classical music, and bebop) into extraordinarily sophisticated scrawled images that practically scream out to you like a rebellious child (who just happens to have a razor-sharp, precocious mind). His career peaked at 25, and he passed away just 2 years later from drug overdose. In his lifetime, he produced over 1,000 paintings and another 1,000 drawings. His images carry an extraordinary power.


I mean, he was the real deal here, guys. Nowadaways, hipsters are mostly just rich kids with alternative fashion sense (not to hate, but just to be blunt/critical) - but Basquiat barely ate, couch-surfed, and started his "art career" by graffitti-ing poetry across SoHo with his trademark, "SAMO" -short for "Same Old Shit". Even his life story is poetic; in an act of wanting to become a famous artist, he found that the only way to paint was to scrounge around for abandoned doors and windows on the street, which were comparable in size to the canvases which he could not afford to buy on his own. He survived this way purely out of his will to be independent, until his career skyrocketed and he became the epicenter of the New York party scene in the 80s. His parents lived a train ride away, but he refused to go back home after running away at age 17. Basquiat was the ultimate post-modernist; he defined being glam hipster; he made neo-expressionism.

But, not to gush on for too long about the artist - here are a few preview images from the MAM site.






Revue: This retrospective was breathtaking. There were so many works that I almost got lost among them. There honestly was not one I disliked. It was wonderful that the exhibition contained so many pieces, but there were moments when I felt the works were a bit crowded - it was almost like too much a good thing. But overall, it really was delightful to see so many at once! Up until now, I only had the chance to see 1 or 2 works at a time, at best, at auction previews. Mind you, each one of these paintings would bring home millions of dollars nowaways. Bottom line: this show was truly a treat and I congratulate those who curated the show together for recognizing this modern master.

Extra: A beautiful film by Tamra Davis titled, "Basquiat: the Radiant Child" - highly recommended. There also is a film by Julian Schnabel which I have yet to see, titled, simply, "Basquiat".

KAWS: "Companion (Passing Through)" - up until June 5 2011 (Ridgefield, CT)


So, a few weekends ago I trekked up to the Aldrich Museum of Contemporary Art. Founded by private collector Larry Aldrich in 1964, this country-house-turned-private-museum is located in scenic (=read: REMOTE) Connecticut and is one of America's oldest institutions devoted to modern and contemporary art. After Aldrich's passing, the institution continued on but unfortunately had to sell its original collection to help fund all of the maintenance costs. Now, the museum curates top-notch temporary exhibitions mainly focused on contemporary American artists.

I went because major artist KAWS recently installed his iconic "Companion" sculpture (recently shown in Hong Kong) in the sculpture garden. He was also expected to attend for an informal "meet the artist" event.


Well, it ended up being a hit.


People were swarming Brian Donnelley (ie, KAWS) every minute. Not to be snooty, but I certainly didn't expect that many hipsters/CT families to know who KAWS was, much less come out in knee-deep snow to see. (Then again, they probably are more used to it than New Yorkers....)


Anyways, the sculpture looked awesome! Though so melancholy in CT! When this exact sculpture was shown in Hong Kong, it was much more mysterious looking. It was almost refreshing to remember that everything we see is colored by its context.

Revue: the museum is definitely worth a cute little day trip outside NYC (much like the Storm King art center is). The sculpture was also fun to see, but it IS just one piece. Def go if you have a car and a free afternoon - otherwise, you may want to wait for his upcoming solo shows in LA.

Extra: makin' of video via SlamxHype.

Saturday, February 5, 2011

Anri Sala @ Musee de Art Contemporain - up until April 25! (Montreal)


One trip I wouldn't recommend is going to Montreal in February. However, I was lucky enough to see a solo exhibition by Anri Sala that was absolutely breathtaking that made every slippery, snowy step worth it.






The artist is most well known for his brilliant video works. This exhibition starts off with bang (literally - with drumming), as it beings with one of his earlier works, "Answer Me" (2008), one of his most highly acclaimed films (clip available via Hauser & Wirth). This video focuses on a near-maniacal drumming from a young man in a broken relationship; his lover, sitting by the window, softly asks, "answer me....answer me...ANSWER ME! (etc.)". It's incredibly haunting and beautiful. Behind the screening wall, there is a path of drums with suspended drumsticks that quietly echo the beat of the drum at the command of the video's audio. Gorgeous.

The next room showed a few C-prints and a light installation, and more of the drums. The five prints, with palm trees, dark exposure and sparks of light, seemed very LA to me - gritty, pretty, but somehow leaving me wondering what else the artist was thinking.


Much to my happiness, what I was looking for was in the next room. Another older work blew me away - see above, an image of "Title Suspended" (2008), a kinetic sculpture. The piece begins (if you are lucky) with a view of two resin hands, softly covered by blue medical gloves. The hands slowly rotate towards the viewer with incredibly drawn out motions, so that at first glance they don't seem to move, yet, by an invisible force, they appear differently at every instance. And, suddenly, it becomes apparent that the hands are each missing the last three fingers, and it is precisely this tease between kinetic activity, and the absence of physical presence, that makes this work jarringly beautiful.

Revue: Cerebral, physical, emotional, this show was a masterpiece. Do go see it if the chance comes around - it's only a 1 hour flight away from New York.

Extra reading: the preview piece of the musee's magazine.

Happy Lunar New Year - a whole year of art to catch up on!

Hello everyone!

In a bout of determination and stubbornness (and admittedly, some nice encouragement from friends!) I have decided it's time to make a comeback. Not for any other reason than, ART IS WORTH IT. Worth what, exactly, you ask? Well, time, devotion, analysis, and more than just promotion or social butterflying about art.

To indulge in a little bit in selfishness, this has been a whirlwind year of travelling across the globe (to try and track back, there was Tokyo, India, Paris, Tokyo again, Paris again, Versailles, Rome, Miami, the Ukraine, LA, SF, Singapore, Hong Kong, Tokyo again, LA again, Connecticut -the scariest by far-, Montreal, etc.) and a number of exhibition sightings (and some of the most incredible fancy openings!) along the way. It has been incredible ride, and I have thought about sharing many a time. Sadly, though, the logistics of trying to pull all of these trips together was just so overwhelming that I pushed many things aside.

While this may not be the most direct way to re-connect with my friends, I do think it's perhaps one of the most meaningful - that is, I feel like sharing my thoughts about things that I am passionate about is perhaps that only way to tell you what's happening with me, beyond jetlag and e-mail flurries. And well, at the end of the day, with all of the travelling and staying in business hotels, I miss all of this and getting comments from you.

So from here on out, art spot is a SECRET blog - invite only.

Cheers to all you VIPs who kept me on your Google Reader feed.

xo
art spot

Monday, April 26, 2010

Frank Brunnner @ Kathleen Cullen Fine Art - up until May 20! (New York)

Hello my loves,

Life has been charging ahead at full speed! My new job is all-consuming, although I can't really complain because it's been a really wonderful learning experience...it's normal to have new-job anxieties though, right?

Anyways, through my new gig I discovered this fantastic gallery in Chelsea called Kathleen Cullen Fine Arts. It's a small, intimate space, run mainly by Kathleen herself. She is a BUNDLE OF FUN and so sincerely nice, it makes you fall a little bit back in love with a art world again. Plus, she has a GREAT roster of artists, and her stories about discovering them are pretty fascinating.

Up now is work by Frank Brunner, a Norwegian painter:



Brunner works in a number of different series: pillows (exploding!), suitcases, and trees. It sounds bizarre, as the color palette is so dark and serious-looking, despite the fact that those particular subjects seem to have no hugely significant position within the politics of society...but Brunner takes a step back from the hyper-politicized, relevant-to-the-NOW contemporary art scene, and instead offers us an incredibly painterly view of a number of objects in our lives, to which we constantly return. The idea of "eternal" return, as explored by Nietzsche (who proposed, if you can forgive my overly-simplistic interpretation,) was, that if each of our experiences are unique, then the gravity of every situation can only have meaning that one time. The flip side is to say that if we have return, then everything is weightless. Brunner's paintings seem to address both ideas; the darkness of the overall mood signifies the importance of that "one and only chance!" idea, whereas the way in which the feathers spray out with carelessnes, the way the suitcases remind us of how every location is essentially contemplative state.

Really lovely.

Do check it out!

Wednesday, March 17, 2010

NEW YORK HERE WE GO!

There could hardly be more going on in the art world, it seems, and I've been officially swept up.

The Whitney Biennial 2010

Some don't like it, but I sure did.
Spent a lovely Saturday afternoon wandering the galleries. I LOVED loved loved this car/video/ameri-nostalgia piece, as well as another series of nude photos of an artist inside the Whitney with gold sparkly things. (Vague enough, for you?)

movin' on --
a report on the art fairs to come SOON, both here AND in Tokyo. (yes, I was in both locales in the last week.)

Cheers!

Thursday, February 25, 2010

HELLOOOOOOO MY LOVES!

Hello my darlings,

I am so sorry for having disappeared on the spot! (HA! wordplay. See, I'm back!)

The reason for my hiatus? I took the most lovely 2 week vacation in the Bay Area and got completely lost in the sunshine - and I'm now back in the blustery cold of NYC, working and getting pumped up for the Armory Show next week. There's tons of great stuff to update y'all on soon, but for now, check out the article I wrote for SHIFT magazine, on behalf of AZITO.



The pic is just a sneak peak...link on over for the full article.

Monday, February 1, 2010

Group Show @ Mori Yu Gallery - up until Feb. 13! (Tokyo)

Hallo there!



Well well, I hope you all are enjoying a lovely weekend!

I'm currently working on a translation for AZITO Online Gallery about an art unit represented by Mori Yu Gallery. I just went to the gallery last week for an opening and it was just so fun that I have to share.

Mori Yu Gallery has two locations (Kyoto and Tokyo - that ain't bad!). The Tokyo gallery is currently presenting a group show combining 6 artists - and each one works in very, very different directions. I only wish there were more images available online!!! (Alas.)



The two works posted here are by Nishimatsu Koji. At first glance, the face-ish-looking piece looks like it might be just any ol' zoomed up or photoshop-ed image, but in fact, it's actually composed of tiny, hand-painted repetitions of the smiley-faced motif you see in the above painting. It's all rather adorable and delightfully rendered.

Revue: The show overall was schweet! And it's totally worth the trek. DO make a point to talk to the gallery people there. They are so incredibly sweet, knowledgable and uber resourceful, and I was quite blown away by their friendliness.

My favorite artist of the show was Kuroda Aki, but unfortunately I couldn't find any decent images of his works online. He is a Japanese artist who has been living for some time now in Paris. Kuroda's works have such beautiful, strong compositions, and what I like about them is their modern (not post-mod) feel. I just wanted to look and look and think. I'll have to find some images of his works for y'all soon. In the mean time, have a good night! *yawn*

[imgs via - 1. boeboe by Nishimatsu Koji, 2009, acrylic on canvas from tabloid, 2. work by nishimatsu koji, from mori yu gallery]